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We used in our sessions artificial lightning and smell and unothodox positioning of our loudspeakers in the music halls,
in order to reach all human senses, and so we achieved a real "musical feeling" in our audience, which transceided the borders of sound listening and so we created a sort of couscience expansion in our fans.
Retroperspective, I realized that we uncousciously installed psychoacoustic techniques in those days.. 1972

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